ODYSSEY
Art Exhibition by Mikiyas Sintayeu
Mikiyas’s work explores human emotion and their evolving relationship with technology. His paintings challenge viewers to reflect on the ways these objects, most notably mobile devices, shape our interactions and connections, often blurring the lines between meaningful engagement and isolation. At the center of his work lies a fascination with how technology, while offering boundless possibilities for communication, can become an obstacle to authentic human connection. This paradox is a recurring theme throughout his work.
The concept for Mikiyas’s current collection, Odyssey, was sparked by a pivotal visit to Dire Dawa five years ago, where he experienced the richness of face-to-face interaction. This trip triggered his exploration into the role of technology in modern life. Over time, his inspiration expanded to include objects found in his home, leading him to experiment with different perspectives. These experiences prompted him to reconsider the overwhelming presence of technology and explore the chaotic effects of globalization on relationships.
To bring these concepts to life, Mikiyas primarily uses acrylic and ink, mediums that allow for spontaneity and immediacy in his process. The fast-drying nature of acrylic allows him to capture fleeting moments, while ink provides grounding elements, bringing lines and patterns that speak to the raw, unfiltered emotions in his work. His palette of warm, evocative colors further enhances this sense of immediacy and emotional depth, with each hue emerging organically from the creative process.
One of the many recurring symbols in his work is the apple, referencing both the biblical fruit of knowledge and the logo of a leading tech company. For Mikiyas, this symbol encapsulates the notion of a modern-day sin: the over-reliance on technology and its consequences for human interaction and community. Through this and other symbols, he poses a critical question: Is this creation—this digital Eden we’ve constructed—a paradise, or a maze that distances us from the essence of human connection?
Mikiyas’s work is a contemplative response to the chaotic interplay between technology and humanity, one that invites viewers to navigate their own personal odyssey within a globalized, hyperconnected world.
Artist Biography
Mikiyas Sintayehu was born in 1998 in Addis Ababa, Ethiopia. He earned his bachelor's degree in 2023 in Interdisciplinary Visual Arts from the Addis Ababa University Alle School of Fine Arts and Design. He also holds a diploma in Fine Arts from Entoto Polytechnic College, Addis Ababa (2018).
In 2022, Mikiyas had his first solo exhibition titled Reflections at Atmosphere Gallery in Addis Ababa. The following year, he presented his second solo show, Escape, at The Social Addis in 2023. In addition to his solo exhibitions, Mikiyas has participated in several group exhibitions, including Cube at Brazil in Addis Cultural Space (2023), Impression of Time at Alliance Éthio-Française Gallery (2023), Faces at Hyatt Regency Hotel (2021), The Tales of Rodari at AAU Alle School of Fine Arts and Design Gallery (2020), and the Graduation Exhibition at Entoto Polytechnic College (2018).
Mikiyas is a studio artist based in Addis Ababa. Through his experimental paintings, he continues to explore the effects of technology on the social life and personal space of his generation
Previous Exhibitions

Analog in Ethiopia | Group Photography Exhibition
ArkieTadesse | CoreyHart | GelilaGetahun | Haymanot Honelgn | IoanaLungu | SebastienCaileux | ValentinaKim
The Artawi Gallery invites you into a world where the tactile, deliberate nature of analog photography challenges the instant gratification of the digital age. Through the works of Arkie Tadesse, Corey Hart, Gelila Getahun, Haymanot Honelgn, Ioana Lungu, Sebastien Caileux and Valentina Kim, this exhibition explores the resurgence of a medium once thought obsolete, now revitalized by a new generation of photographers and viewers alike.
This exhibition is more than a mere showcase oaf images; it is a contemplation on the craft of analog photography and the unique experiences it offers. Here, the grain, the texture, and the shadows within each photograph are not mere technicalities but essential elements of a narrative that speaks to memory, imperfection, and the art of seeing. The process of capturing an image on film, with all its inherent unpredictability, is celebrated as much as the final result. It is a journey where patience and care are as important as the destination.
As you navigate the darkened gallery, punctuated by limited light and prints that hang as if drying in a darkroom, you are invited to consider the power of the analog process. What draws individuals—many of whom never experienced the heyday of film—back to this medium? What does the tactile engagement of film photography offer in a world dominated by digital immediacy?
The exhibition not only presents the aesthetic and technical virtues of analog photography but also delves into its broader cultural implications. It invites reflection on why, in an era of endless digital possibilities, there is a renewed desire to reconnect with a medium that demands a slower, more deliberate approach to seeing and creating.
Exhibiting Artists

Appearance | መልክ
Surafel's art is a symbolic discourse that connects his inner spirituality with the external world. Influenced by the geometry and symbolism found in the material and spiritual world, he believes these convey the relationship between the invisible forces that are among us. Surafel's work aim to question the nuances of faith and religion, often using animals and insects to represent the purity and intricacy of the divine.
He sees his art as a living expression of his spiritual journey, his search for the appearance/መልክ of his creator. Each face he paints representing a fragment of a larger whole - a collection that signifies the diversity and unity of human and divine experience. His quest for God's appearance reflects an effort to find divinity in every being that resonates at a high spiritual frequency.
Through his paintings, Surafel seeks to transcend mundane boundaries and touch the divine using oil and canvas as mediums, geometric visual language, and abstract representations to conceptualize the material and spiritual superstructures. Each piece offers an exploration between these forces inviting viewers to contemplate the mysteries within our universe.
Exhibited Art works

Nathnael Eshetu
The biography of Nathnael Eshetu, a 24-year-old visual artist and graduate architect from AASTU, depicts his pursuit of his lifelong dream as a full-time studio artist. With an unwavering passion for art, he has discovered a deep appreciation for the intricate beauty and complexity of the human form. His artistic vision revolves around portraying the interconnections and entanglements of human beings, both on a spiritual and societal level. Through his artworks, he endeavors to express the profound intertwining of souls and the interwoven fabric of society. His creations serve as a visual testament to the power of human connection and the inherent beauty found within these entangled relationships.
Flesh And Soul
In the “Flesh And Soul” painting exhibition, i explore the relationship between our physical bodies and our inner selves. Through my contemporary figurative paintings, I show how these two parts of me are intertwined.
Every brushstroke I make is like a bridge between the physical and the spiritual. The human figures in the paintings represent the complexity of who we are, with their intertwined limbs showing how our bodies and souls are linked. By using different colors and textures, I try to capture the essence of my inner self that goes beyond my outward appearance.
My paintings invite you to reflect on what truly defines you. Is it our bodies that keep us grounded in the physical world, or is it our inner longings and desires that push us to seek something more? Maybe our true selves lie in a delicate balance between these two, where our bodies and souls come together.
Through my art, I hope to inspire you to take a deep introspective journey and discover the beauty that lies within you, beyond what can be seen or touched. By embracing both your physical and spiritual sides, you can uncover not only your humanity but also the limitless possibilities that exist within you.
“The Intimate Alchemy: Flesh and Soul Unveiled”
Flesh: In the rush of life’s relentless stream, Do you feel me, as if in a dream?
Soul: In the stillness of the night’s embrace, Do you sense my presence, my grace?
Flesh: When the world weighs heavy on your mind, Do you feel my touch, gentle and kind?
Soul: In the dance of shadows and light Do you feel my presence, burning bright?
Flesh: When the scars of battle mark your skin, Do you feel my healing light within?
Soul: In the echoes of your heart’s lament, Do you feel my love, ever-present?
Flesh: Amidst the trials that test your will, Do you feel me, urging you still?
Soul: In the moments when hope seems lost, Do you feel me, counting the cost?
Flesh: Then tell me, soul, in life’s grand design, Are we but shadows, bound to resign?
Soul: No, dear flesh, we are destiny’s mold, In each other’s arms, our stories unfold.
Together: In this symphony, we find our role, Flesh and soul, one spirit, one soul.
Exhibited Art works

Zelalem Gizachew
Zelalem Gizachew, with a background in public health, technology, and photography, is driven by an interest in exploring the intersections of disciplines. His work, characterized by a unique blend of creativity and analytical insight, aims to capture and reflect on the complex narratives and emotions found within everyday scenes and interactions.
Portraits of the In-Between:
Neither Here Nor There
This collection is a personal narrative, a series of moments captured on film that speak quietly to the experiences of living within a space that is constantly evolving. It is a reflection of my own emotions as I navigate the idea of home and what it means to be from Ethiopia—a country with a rich past, an unfolding present, and an unwritten future.
As I wander through the streets, the fields, and the corridors of everyday life, I find myself moved by the simple, yet profound, scenes of existence. The mundane becomes significant, telling a story of life lived in the subtle tension between change and constancy. These images are my silent conversation with the world around me, an attempt to grasp and share the nuances of a personal journey through time and space.
Through my analog photography practice, I have sought to capture the essence of transition, the quiet corners of daily life that often go unnoticed yet are filled with emotion. From the solitary figure against a landscape of change to the quiet communion of individuals going about their day, between Wenchi, Ankober, and Addis, each image is an intimate glimpse into the soul of a place that I hold dear.
This series is a personal expression of the contrasts that define my experience of Ethiopia. It is not just a home, but a crossroad of histories and possibilities, a place where every step forward is taken with a respectful nod to the past. It is my hope that these images resonate as an honest portrayal of my connection to a land that is both timeless and timely.
"Portraits of the In-Between" invites you to experience the myriad emotions that come with standing on the threshold of what was and what could be, in a land that refuses to be defined by either alone. In these portraits, I invite you to see Ethiopia through my eyes — not as static or stagnant, but as a vibrant entity, forever existing in an evocative state of 'in-betweenness'.
Exhibited Photos

Common Space
Common spaces is an interdisciplinary art exhibition that seeks the notion of common space through personal and collective experience. We live in a society with diverse cultures and histories, and our individual experiences shape and isolate us in various ways. Recognizing this common ground is crucial because it demonstrates how our stories are intertwined, fostering empathy and unity. Embracing our shared space entails appreciating our various points of view and finding strength in our collective differences. Artist’s in the exhibition initiate a conversation about how we interact, archive, and manifest in the present day.
The artworks of these four artists cover a wide range of themes and ideas. They explore the connections between the past and present, the impact of fashion on society, the exploration of memory and texture, and the role of archiving in shaping cultural identities. Using
powerful visuals, thought-provoking questions, and a combination of different artistic methods, their artworks tell stories that capture the essence of specific moments. By experiencing these artworks, viewers are encouraged to reflect on and question their own understanding of history, identity, and memory. This fosters a sense of connection among people and challenges conventional societal norms.
Addis Street Photography Mixtape
Step into the vibrant city of Addis Ababa, Africa’s diplomatic capital and the fourth-largest city on the continent. At first glance, it may appear chaotic and congested, but beneath the surface lies a captivating blend of urban ambiance, rich traditions, and unparalleled history.
In this metropolis, a growing number of individuals have embraced street photography as a way to rediscover the wonder of everyday existence. The diverse styles that have emerged within this artistic genre are as vibrant as the life they aim to capture.
Addis Street Photography mixtape , an exhibition that celebrates the eclectic range of styles found within Addis Ababa’s street photography scene. Six talented photographers from Addis Ababa, Ethiopia, present their unique perspectives of the city’s streets, each capturing their own distinctive essence. Through their lenses, every photograph becomes a resonant tale, weaving its own narrative.
Hosted by the esteemed Artawi Gallery, this exhibition is a testament to the creative spirit of Ethiopian artists. Immerse yourself in the captivating sights, colors, and moments that define street photography in Addis Ababa.
Abinet Teshome
Abinet is a multidisciplinary photographer based in Addis Ababa, Ethiopia. He was first introduced to photography in 8th grade when he wanted to record every moment. Street photography became his passion and how he learned to communicate through images.In his early days, Abinet found wandering streets with his camera, observing life unfold. Through street photography, he captured the vibrant beauty in people and surroundings. He had a unique ability to notice decisive moments of everyday life. Over time, Abinet’s passion led him to explore other genres while nurturing his skills through projects. Whether landscapes, events, or portraits, Abinet brings his creative eye.
Today, Abinet pushes himself across genres. But street photography was where he first found his voiceand language. It has a special place in his practice, as where he initially learned to see through a lens. Abinet continues advancing while holding onto his street photography roots.
Addis Morning
Addis Morning captures fleeting moments of calmness, warmth, coolness and playfulness amidst the bustling streets of Addis Ababa. The photo series offers glimpses into the feelings and atmospheres experienced in the city during the early hours.
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Amado Ergana
Amado is a mobile street photographer born and based in Addis Ababa. His photography mainly tames the light and shadow around vibrant Ethiopian street subjects. It fascinates him to watch these two creating abstractions to ordinary street scenery.
Shadows & Symphonies
This collection of shadow-tamed candid Addis Ababa street scenery photographs showcases the unfiltered beauty of the city’s streets. In these photographs, one can witness the vibrant tapestry of everyday life captured in a symphony of colors, shapes, and emotions. The inclusion of shadows in these images introduces a captivating dimension of depth and intrigue, contributing to a feeling of spontaneity and genuineness in the depicted scenes. This distinctive approach encouraes viewers to examine the photographs more closely and connect with them on a profounder level.
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Awetahegn Ephrem
Awetahegn Ephrem is a photographer based in the city of Addis Ababa, his photographer’s journey began with a profound passion for capturing the world through the lens of a film camera from a young age, he found solace and inspiration in the art of film photography, music and movies.
Interestingly, his path took an unexpected turn when he decided to pursue a career in medicine. After completing medical school, he found himself with a unique opportunity to travel across the diverse landscapes and suburbs of Ethiopia. It was during these journeys that his love for photog- raphy truly flourished.
With a distinct vision, his images often focused on still photos and landscapes, deliberately devoid of human presence. His intention was to evoke a sense of nostalgia and liminal a spaces drawing viewers into a world where time stood still. Each frame allowing people to weave their own sto- ries and emotions into the scenes before them.
Currently, while pursuing his career as an emergency medicine resident at Black Lion Hospital, he continues to find solace and balance in the world of photography. Despite the demanding
nature of his work, he remains dedicated to his artistic passion, recognizing its power to heal and inspire. Through his images, he invites viewers to slow down to appreciate small wonders that surround us and to find solace in the extraordinary moments hidden with the folds of everyday existence.
The Liminal Moments of Everyday Life
This series of photographs captures the essence of liminal moments, those fleeting instances sus- pended between the ordinary and the extraordinary ,revealing the stories that unfold in the back- drop of our everyday lives .They celebrate the beauty found in the unnoticed, the ordinary, and the transient. Through their lens, we are encouraged to pause, reflect, and find meaning in the subtle details that weave the tapestry of our shared human experience.
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Eyerusalem Adugna
Eyerusalem Adugna Jiregna (b.1993) is a photographer and fashion designer based in Addis Ababa, Ethiopia. Informed by her experience in design, she uses photography to document the vibrant everyday realities of the nation’s inhabitants. She specialises in evocative and sensitive portraits, which are disinguished by their brilliant multitude of colours and textures.
Jiregna has received considerable acclaim for her work both in Ethiopia and internationally. She has exhibited at the Kasher Gallery, Refraction: New Photography of Africa and Its Diaspora (2018); From Our Perspective: Young Ethiopian Photographers Changing the Gaze; the New York photography festival Photoville 2016 and participated in the New York Times Portfolio Review 2016. Her work will be part of the upcoming exhibition: Treasures of Islam in Africa. From Timbuktu to Zanzibar at the Musee Mohammed VI d’art moderne et contemporain in Rabat. Eyerusalem Jiregna has studied in Ethiopia and in the USA. Her photographs have been featured among others on the Everyday Horn of Africa in Mfon: Women Photographers of the African Diaspora; Marie Claire and Whitewall Magazine. She was also named as featured in the New York Times article “Five Art Accounts to Follow on Instagram Now”. Her recent work with the AFP was also featured in The Guardian, BBC, Global reporting center, Modern Ghana e.t.c. In 2021 & 2022 she was one of the Jury committee for The UNESCO Youth Eyes on the Silk Roads International Photo Contest.
Wherever We Go
Addis Ababa is momentarily paused, offering a reprieve in the midst of chaos. Despite the struggle necessary for survival in this city, there is beauty and vibrancy that brings joy to residents. Taken over 7 years, the photographs in this collection center working-class people in the middle of their day. The city is easily recognizable through the subtle framing and colors choices. The stark, sunny lighting contrasts the grimy and dismal surroundings in these symmetrical square frames. The staccato of modern life is captured through the lines and rhythms that intersect these images.
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Eyoeal Kefyalew
Eyoeal Kefyalew is a photographer based in Addis Ababa, Ethiopia. From a very young age, Eyoeal has been fascinated with graphic design, and his passion for the art form has generated a keen interest in photography. His work mostly consists of street photography, which he uses to explore and record the place in which he resides, and documentary form, which he uses to delve into his own past and memories. In 2020, Eyoeal was selected as a participant in the Canon Stu- dent Development Program, and selected works were published as a book titled Encourage. His works have been exhibited at one of the leading photography festivals in Africa, Addis Foto Fest 2018, UPPA: East African Photography Award 2019, Melrose Gallery in Johannesburg in 2021,
and have been published in Out of the Phone: Mobile Street Photography book in 2017 and by the Turkish Photography Foundation in 2021, Fotosfer. He is also a nominee for the first edition of the Inspire Art Award at the Nitja Centre for Contemporary Art in Lillestrom, Norway.
Lingering II
These images explore the multiple layers found in our surroundings using light as a tool to identify the degree of visibility. The shadows in contrast with saturated images create a flattening in the images that encourages the viewer to consider a confrontation between the comfortable and the familiar with the dark and heavy elements of the environment. The swiftness of street photogra- phy allowed me to capture the bodies pronouncing gestures that recall intimacy in the conversa- tions the figures carry with each other.
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Sehin Tewabe
Sehin Tewabe, a 26-year-old self-taught professional photographer based in Addis Ababa, Ethiopia, grew up with an innate passion for photography. Coming from a large family, she was constantly surrounded by joyous moments that held significance and deserved to be preserved. Sehin took it upon herself to capture these moments by grabbing any camera available, immortalizing them and nurturing her love for photography in the process. Through the use of her creative force and natural light, Sehin strives to capture the essence of reality and express her own sensibility.
As social media gained popularity, Sehin’s ambition was fueled, providing her with a platform to showcase her work to a wider audience. Although she does various genres of photography, she acknowledges that she has yet to find her niche and believes there is still much to explore.
Sehin has actively participated in various photography events, including art sales and international exhibitions. Her notable achievements were organizing and exhibiting her first solo exhibition, titled “Ashendiye in Lalibela,” as well as selling her work at an international women’s day art exhibition held in the British embassy. Additionally, she has showcased her photographs at prominent exhi- bitions such as Addis Foto Fest, one of Africa’s leading photography festivals, Capture Addis and recently participated in a two-person exhibition in Cologne, Germany which served as a turning point in her photography career.
She also co-founded the “Artawi Gallery” with photographer Abinet Teshome.
Addis Through my lens
In this photo collection, Sehin explores the bustling streets of Addis Ababa, allowing herself to be drawn to the play of lights and the allure of natural frames that guide her lens. She sees colors that dance before her eyes, and she embraces the opportunity to manipulate them, merging elements together to create captivating images that tell a story.
Her focus is on capturing the beauty of the mundane and the candid moments that unfold on the streets. She seeks to reveal the hidden beauty that can be found in the ordinary.
This photo collection is a testament to Sehin’s keen observation, artistic vision, and unwavering dedication to capturing the essence of the street.
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